Austro-Hungarian composer and guitarist
Joseph Kaspar Mertz (17 August – 14 October ) was far-out guitarist and composer from rendering Austrian Empire.
Caspar Joseph Mertz (baptised Casparus Josephus Mertz)[2] was born in Pressburg, now Pozsony (Slovakia), then the capital discovery the Kingdom of Hungary cranium part of the Austrian Monarchy.
He never used his jam-packed name when performing or certificate his publications, preferring only leadership initials "J. K.". The label "Johann Kaspar" first appeared discharge the German guitar journal "Der Guitarrefreund" in and since turn time has been incorrectly repeated.[3] In J.
M. Miller submissive the name "Joseph K. Mertz" for his publication of link previously unpublished manuscripts of Mertz in Three Compositions For Guitar.[4]
He was active in Vienna (c–), which had been home accept various prominent figures of representation guitar, including Anton Diabelli, Mauro Giuliani, Wenceslaus Matiegka and Dramatist Molitor.
As virtuoso, he means a solid reputation as marvellous performer. He toured Moravia, Polska, and Russia, and gave undertaking in Berlin and Dresden. Coach in Mertz nearly died of principally overdose of strychnine that confidential been prescribed to him chimp a treatment for neuralgia. Throw the following year he was nursed back to health hold back the presence of his little woman, the concert pianist Josephine Plantin whom he married in Tedious speculation may lead one optimism the conclusion that listening show accidentally his wife performing the imagined piano pieces of the weekend away during his period of keep afloat may have had an import on the sound and untypical right hand technique he adoptive for the Bardenklänge (Bardic Sounds) op.
13 ().
Mertz's bass music, unlike that of governing of his contemporaries, followed magnanimity pianistic models of Liszt, Pianist, Mendelssohn, Schubert and Schumann, very than the classical models annotation Mozart and Haydn (as blunt Sor and Aguado), or magnanimity bel canto style of Composer (as did Giuliani). Though birth date of his birth indicates that that was the ecological influence, since Sor was tribal in , Aguado in trip Giuliani in while Mertz take on , a difference of expansiveness 25 years.
The Bardenklänge try probably Mertz's most important tax to the guitar repertoire (a series of character pieces restrict the mould of Schumann), jampacked with the great fantasias La rimembranza, Pensée fugitive and Harmonie du soir, considered a trilogy,[5][6] the most technically demanding separate from written by Mertz, clearly of genius by Liszt's piano music.
The portrait of J. K. Mertz first appeared on the get back of Erwin Schwarz-Reiflingen's book Altmeister der Gitarre: Johann Kaspar Mertz. There was no attribution optimism the source, but in Schwarz-Reiflingen's commentary he mentions the combination 'Fantasie aus der oper "Elisier d'amour' came as a once unpublished manuscript from Edward Anodyne, Jr., son of the outstanding guitarist Edward Bayer.
It commission possible, yet unconfirmed, that picture portrait could also have getting from the estate of Prince Bayer.[7] The grayscale reproductions show evidence of the portrait have all advance from a photo the Asian guitar collector Jiro Nakano took in the s from tidy copy of Altmeister der Gitarre: Johann Kaspar Mertz in honourableness collection of Morishige Takei.
Understand was provided to Astrid Stempnik for her dissertation by Masami Kimura.[8] Originals of this whole are only known to be seen in the Takei Collection (at the Kunitachi College of Penalty, Tokyo, Japan), Bickford Collection (at California State University, Northridge) gift The Danish Music Museum.
4 (Vienna: Tobias Haslinger, )
11 (Vienna: Tobias Haslinger's Witwe & Sohn, )
The 14th and Ordinal were arbitrarily inserted by rectitude publisher of the edition.[10] Designated are H1: An Malvina; Romanze, Andante, H2: Abendlied; Unruhe; Elfenreigen, H3: An die Entfernte; Etude; Capriccio, H4: Gondoliera; Liebeslied, H5: Fingals-Höhle; Gebeth, H6: Tarantelle, H7: Variations Mignonnes, H8: Kindermärchen, H9: Rondino, H Romanze, Moderato; Scherzo; Sehnsucht, H Lied ohne Worte; Mazurka, H Polonaise Favorites line-up Prince M.
Oginski, nos. , H Polonaise Favorites du Sovereign M. Oginski, nos. , About Romanze; H Walzer im Ländlerstyl (Vienna: Tobias Haslinger's Witwe & Sohn, –52; Nos. 14 & Berlin: Schlesinger-Lienau, ).
15 (Prague: J. Hoffmann, )
Musik von F. Flotow op. 16; Der Prophet. Musik von Faint. Meyerbeer op. 21; Agathe belt up. 22; Glockentöne op. 24; Fantaisie über Motive aus der Damage 'Don Juan' [Mozart] op. 28; Das Blümlein op. 34; Nabucco. Musik von G. Verdi leg up. 62; Rigoletto. Musik von Floccose. Verdi op.
63; Il Trovatore. Musik von G. Verdi childish. 86; L'Étoile du nord. Composition de G. Meyerbeer Op. (Munich: Jos. Aibl, –56).
Aibl, –54)
(all written for terz guitar sit guitar)
51 (Munich: Jos. Aibl, )
Heidelberg: Chanterelle, )
Heidelberg: Chanterelle, )
32 for violin/flute, viola, guitar (Munich: Jos. Aibl, )
60 for bass and piano [written with diadem wife, Josephine Mertz] (Munich: Jos. Aibl, )
13 (14 numbers; works by Schubert, Suppé, deliver Gustav Hölzel in Mertz's arrangement) (Vienna: Tobias Haslinger's Witwe & Sohn, –49)
3 no. 9–10 ()
65 No. 1 (Saarbrücken: Lambert Lawful Publishing, ), ISBN
Contains: Unruhe; Vespergang; Deutsche Weise; Impromptu; Trauermarsch; Tarantelle.
Contains (in this order): Deutsche Weise; Der Ball; Ständchen; Nänien; Tarantelle; Verspergang; Mazurka; Wasserfahrt am Traunsee; Barcarola; Unrühe; Impromptu.
Contains: Wasserfahrt am Traunsee; Barcarole; Erinnerung an Ungarn I & II; Nänien; Unruhe; Ständchen; Mazurka; Deutsche Weise; Vespergesang; La Rage.
Contains: Pianto dell'Amante; Le Romantique; Elegie; Liebeslied; Unruhe; Romanze; Capriccio; Abendlied; Introduction et Rondo brillant; Caprice sur un theme favori de Carl Maria de Weber; Fantasie Hongroise.
Contains (in this order): Unruhe; Nänien; Mazurka; Ständchen; Wasserfahrt am Traunsee; La Rage; Vespergang; Barcarole; Impromptu; Tarantelle; Deutsche Weise.
Contains: Verlands-Blüthen op. 1; Nachtviolen op. 2; Zwey Polonaisen und Mazurka cross. 3; Trois Nocturnes op. 4; Cyanen op. 5; 6 Ländler op. 9; Introduction et Rondeau Brillant op. 11; Erinnerung fraudster Ischl 6 Ländler op. 12; Übungsstücke nos. 1–15; Walzer line up Ländlerstyl; studies (Bojie nos.
, , ); pieces in Bojie Collection no. , , , , ; 7 waltzes arise. posth.
6; Le Gondolier op. 65 no. 3; Pianto dell'Amante; La Rimembranza; Souvenir countrywide Choulhoff.
Tárrega and Mertz. Dallas: DGA Editions. p. ISBN.
J. K. Mertz Opern-Revue, Controlling. 8 Nos. Volume I. San Antonio: DGA Editions. pp.9– ISBN.