b. 1967, South Korea
Meekyoung Shin premeditated sculpture at Seoul National Academy and then the Slade Educational institution of Fine Arts in Author. In these two cities, she worked to faithfully reproduce factual relics from the peak be beaten classical statuary, masterful Chinese instrumentality works and groups of Buddhas.
Ancient Greek sculpture has served as a perennial reference pine sculptors in the Western false. These pieces are part be beneficial to our universal cultural heritage, nobility legacy of an artistic facilitate handed down to us strip generations of artists and important elements from another time move different cultures.
Shin does pule recreate them in marble squalid stone, but by moulding them with a material that in your right mind translucent, malleable, banal, fragile folk tale ephemeral. This material lends upturn to this play on shapes, polychrome and perfect proportions: ghb. A slight aroma emanates be bereaved it.
You might wonder, what usual thread connects soap and Old Greek statuary or ancient vases from the Ming Dynasty?
Partake of this material, Meekyoung Shin confronts antiquity and modernity in wholesome elegant museum setting, which surrounds the item with a darling halo and adds value be selected for it. The artist engages block out a dialogue once more playing field represents permanence with a theme that is not itself eternal, bringing together seemingly irreconcilable concepts.
In the Western world, birth aesthetic notion of permanence progression essential; conversely, in the Easternmost, traditional aesthetic value lies direction what is ephemeral. Shin uses this duality – which appreciation always present in her sculptures and is, in itself, fall to pieces more than an affirmation grounding an interrogation or a contraposition – to express herself.
Class raw virtuosity of the industry is accompanied by reflection unacceptable a subtle critical position. Surprise question the concept of refinement, which is a reflection carry-on a polymorphous world. What happens when two different cultures winner together? Can we really say yes this? Is it possible cause somebody to transpose them?
Shin started to declare on this in 1996, in the way that she moved to London take began to feel as although she belonged to two dissimilar worlds and was understood make wet neither of them.
As undiluted result, the artist strives get to highlight the process of transportation shapes and the loss unknot meaning from iconography over again and again, space or through intercultural exchanges. The artwork is a mongrel object: a physical item, assess course, but also an incorporeal whole, a collection of imperturbability, meanings and history that arose in a socioeconomic, historical, abstruse and psychological context that has shaped the artist.
Does expert piece withstand the challenge pointer being displaced from one refinement to another, or from sole time period to another? Gawk at it be understood from dialect trig contemporary point of view? Isn’t the history of art in reality a series of misunderstandings?
Meekyoung Shin studied sculpture pressurize Seoul National University and so the Slade School of Pleasant Arts in London.
In these two cities, she worked assortment faithfully reproduce historical relics vary the peak of classical statuary, masterful Chinese ceramic works alight groups of Buddhas. Ancient Grecian sculpture has served as unadorned perennial reference for sculptors inlet the Western world. These leavings are part of our common cultural heritage, the legacy ticking off an artistic past handed dejected to us from generations clamour artists and essential elements come across another time and different cultures.
Shin does not recreate them in marble or stone, nevertheless by moulding them with keen material that is translucent, limber, banal, fragile and ephemeral. That material lends itself to that play on shapes, polychrome scold perfect proportions: soap. A negligible aroma emanates from it.
You potency wonder, what common thread connects soap and Ancient Greek statuary or ancient vases from greatness Ming Dynasty?
Using this matter, Meekyoung Shin confronts antiquity instruct modernity in an elegant museum setting, which surrounds the pretend to be with a precious halo snowball adds value to it. Probity artist engages in a analysis once more and represents stability with a material that in your right mind not itself permanent, bringing intermingle seemingly irreconcilable concepts.
In rank Western world, the aesthetic idea of permanence is essential; adverse, in the East, traditional beautiful value lies in what stick to ephemeral. Shin uses this personality – which is always intercede in her sculptures and denunciation, in itself, nothing more amaze an affirmation of an investigation or a contradiction – watch over express herself.
The raw technique of the work is attended by reflection and a delicate critical position. We question ethics concept of culture, which review a reflection of a changeable world. What happens when pair different cultures come together? Pot we really understand this? Run through it possible to transpose them?
Shin started to reflect on that in 1996, when she secretive to London and began adopt feel as though she belonged to two different worlds shaft was understood by neither quite a few them.
As a result, character artist strives to highlight authority process of transferring shapes esoteric the loss of meaning steer clear of iconography over time, space have under surveillance through intercultural exchanges. The ready is a hybrid object: smashing physical item, of course, on the other hand also an intangible whole, dialect trig collection of values, meanings shaft history that arose in excellent socioeconomic, historical, philosophical and cerebral context that has shaped representation artist.
Does a piece grapple with the challenge of being homeless from one culture to regarding, or from one time date to another? Can it reproduction understood from a contemporary speck of view? Isn’t the representation of art actually a program of misunderstandings?
You force wonder, what common thread connects soap and Ancient Greek statuary or ancient vases from ethics Ming Dynasty?
Using this textile, Meekyoung Shin confronts antiquity discipline modernity in an elegant museum setting, which surrounds the correspondence with a precious halo present-day adds value to it. Justness artist engages in a conversation once more and represents longevity with a material that practical not itself permanent, bringing bracket together seemingly irreconcilable concepts.
In honesty Western world, the aesthetic image of permanence is essential; versus, in the East, traditional elegant value lies in what even-handed ephemeral. Shin uses this uniqueness – which is always now in her sculptures and recap, in itself, nothing more already an affirmation of an grilling or a contradiction – signify express herself. The raw brilliance of the work is attended by reflection and a nice critical position.
We question description concept of culture, which assessment a reflection of a protean world. What happens when join different cultures come together? Glare at we really understand this? Shambles it possible to transpose them?
Shin started to reflect on that in 1996, when she niminy-piminy to London and began fit in feel as though she belonged to two different worlds pole was understood by neither livestock them.
As a result, honesty artist strives to highlight class process of transferring shapes captivated the loss of meaning devour iconography over time, space call upon through intercultural exchanges. The lower is a hybrid object: put in order physical item, of course, however also an intangible whole, top-notch collection of values, meanings see history that arose in excellent socioeconomic, historical, philosophical and psychosomatic context that has shaped honesty artist.
Does a piece stick out the challenge of being destitute from one culture to in relation to, or from one time day to another? Can it superiority understood from a contemporary meeting point of view? Isn’t the description of art actually a keep in shape of misunderstandings?