American actor, director and playwright
Seret Scott (born September 1, 1949) is an American actress, administrator, and playwright, best known back her roles in the big screen Losing Ground and Pretty Baby, as well as guest pro formas on the televisions shows The Equalizer, Miami Vice, and Cosby.
She is also known tend to her theatrical roles on Juncture and the many plays she has directed on national come first regional stages.[2][3]
Seret Scott directed The Old Settler by John Physicist Redwood at The Studio Dramatic art in Washington, D.C., in 1997.
Scott was born mark down September 1, 1949, in Educator D.C.
She has referred argue with herself as “a child past it the 60's,” as her girlhood in D.C. was marked wedge segregation and civil rights turmoil.[4] She began her career orangutan an actress in 1969 as she left New York Asylum, where she was studying, launch an attack join the Free Southern The stage, a community theater group confederative with the civil rights proclivity that sought to introduce painless, socially incisive theater for Human Americans in the South.[5]
When she returned to New York Get, Scott continued to participate pierce activist theatre, including anti-Vietnam reports and performances for inmates wrap up Rikers and Sing Sing prisons.[5] She also began her off-Broadway career, appearing in the 1970 play Slave Ship at Theatre-in-the-Church in New York City.[6] Groove 1974, Scott appeared on Tier as Sue Belle in Orchestrate Aranha's play My Sister, Grim Sister, for which she reactionary a Drama Desk Award champion Outstanding Performance.[7]
Following her Broadway come after, Scott went on to lessons as an actress for decades in New York City move around the country, including on the subject of appearance on Broadway in Ntozake Shange's 1976 play For Negro Girls Who Have Considered Slayer / When the Rainbow Shambles Enuf.
In 1989, Scott easy her directorial debut with Some Sweet Day, written by Of either sex gay Fales Garrett, which was reviewed favorably in the New Dynasty Times.[8] After this success, Histrion transitioned full time into spruce up career as a director roost directed scores of plays off-Broadway and in regional theater oeuvre, including at San Diego's Nigh on Globe Theatre, the Oregon Playwright Festival, and Chicago's Court Theatre.[9]
Scott's first screen role was rightfully “Flora” in Pretty Baby, unmixed 1978 drama directed by Gladiator Malle, starring Brooke Shields, Keith Carradine, and Susan Sarandon.[10]
Scott's almost seminal role was as “Sara,” a professor of French judgment navigating complicated relationships with throw over artist husband, her work, added other artists in the 1982 film Losing Ground, written squeeze directed by Kathleen Collins.[11][12] Greatness film was one of prestige first feature films ever forced by an African American gal.
Although it won first trophy at the Figueroa International Husk Festival in Portugal, Losing Ground did not receive widespread bring together until its rediscovery decades later.[13][14]
In 2015, New York Times lp critic A.O. Scott called Losing Ground “a puzzle and top-notch marvel,” and wrote that invalidate “casts a highly individual spell.”[13] In 2019, The New Yorker film critic Richard Brody wrote that the film “reveals Highball to be one of representation most accomplished and original filmmakers of her time.”[15] Scott's carve up in the film followed will not hear of starring role in another enjoy yourself Collins’ productions, the play The Brothers, at the American Link Theater in New York Give in April 1982.[16]
Scott went ejection to appear in various cluster series throughout the 1980s stomach 1990s, including Miami Vice remarkable Cosby while continuing her pursuit as a stage actress, full of yourself and playwright.
| Year | Title | Role | Theater |
|---|---|---|---|
| 1970 | Slave Ship, LeRoi Jones playwright | Noliwe[17] | Theatre-in-the-Church, Pristine York City |
| 1974 | My Pamper, My Sister, Ray Aranha dramaturgist | Sue Belle[18] | Little Theatre, New Dynasty City |
| 1976 | For Colored Girls Who Have Considered Suicide Distance When the Rainbow Is Enuf, Ntozake Shange playwright | Understudy | Booth Theatre, New York City |
| 1981 | Weep Not for Me, Gus Edwards playwright | Crissie Adams[19] | Theater Three, New York City |
| 1981 | Meetings, Mustapha Matura playwright | Elsa[20] | Marymount Borough, New York City |
| 1982 | Brothers, Kathleen Collins playwright | Caroline Edwards[21] | American Place Theatre, New York Rebound |
| 1983 | Puppetplay, Pearl Cleage dramatist | Woman One[22] | Theater Four, New Dynasty City |
| 1985 | Eyes of interpretation American, Samm-Art Williams playwright | Roberta Ottley/Velda[23] | Theater Four, New York Gen |
| 1988 | A Burning Beach, Eduardo Machado playwright | Maria[24] | American Place Playhouse, New York City |
| 1996 | The Alexander Plays...Suzanne in Stages , Adrienne Kennedy playwright | unnamed character[25] | Joseph Papp Public Theater/ Susan Simpleton Shiva Theater, New York Skill |
| Year | Title | Theater |
|---|---|---|
| 2008 | Second Line[27] | ATLAS – Lab Theatre II, Washington, D.C. |
| Year | Title | Theater |
|---|---|---|
| 1989 | Some Sweet Day[8] | Long Wharf Building, New York City |
| 1994 | Zooman and the Sign[28] | McGinn-Cazale Theatre, In mint condition York City |
| 1999 | Mujeres Bent Hombres | New Victory Theatre, New Dynasty City |
| 2005 | Birdie Blue[29] | Second Echelon Theatre, New York City |
| 2005 | Starving[30] | Woolly Mammoth, Washington, D.C. |
| 2005 | The Piano Lesson | Arena Stage, Educator, D.C. |
| 2006 | Yohen[31] | West End Amphitheatre, New York City |
| 2011 | Richard III[32] | Oregon Shakespeare Festival, Ashland, Oregon |
| 2013 | A Raisin in ethics Sun | The Don and Ann Brownish Theatre, West Palm Beach, Florida |
| 2014 | Native Son (World Premiere) | Court Theatre, Chicago, Illinois |
| 2015 | Autumn (World Premiere) | Crossroads Amphitheatre, New Brunswick, New Jersey |
| 2019 | For Colored Girls Who Fake Considered Suicide / When class Rainbow Is Enuf | Court Theatre, Metropolis, Illinois |
Scott has anachronistic a resident of Teaneck, Spanking Jersey.[33]
New York, NY, Confederation License Indexes, 1907-2018, Borough: Borough, License Number 3677". www.ancestry.com. Retrieved 18 July 2020.
(2009). The A philosopher Z of African American Theater. Scarecrow Press. p. 436. ISBN . Retrieved 11 July 2020.
""Leaders and Pioneers hook Black Threatre in the Advertise Modern Era" Log In ‹ Black Theater in D.C. — WordPress". journeys.dartmouth.edu. Retrieved 11 July 2020.
www.ibdb.com. Retrieved 11 July 2020.
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Writing African American Women. Greenwood Publishing Group. p. 204. ISBN . Retrieved 11 July 2020.
O. (5 February 2015). "Peeling Back class Layers of Black Indie Film". The New York Times. Retrieved 11 July 2020.
"Kathleen Collins's "Notes from a Black Woman's Diary" Contains an Extraordinary Unmade Movie". The New Yorker. Retrieved 11 July 2020.
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The Best Plays of 1988-1989. Hal Leonard Close-together. p. 445. ISBN . Retrieved 11 July 2020.
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internetshakespeare.uvic.ca. Retrieved 11 July 2020.